Manipulation of Lyrics in Shakespeares As You Like It Essay -- Shakes

Manipulation of Lyrics in As You same It While it is a comedy of the turmoil of love and the experimentation with gender roles and identity, William Shakespeares As you Like It is a historical preservation of Renaissance practice of medicine. The play is fraught with unprompted song and poetry, yet Shakespeare strategically manipulates these tuneful elements. Specifically, the lyrics and poetry of the play manipulation to establish a soundtrack and a direct appeal to their Elizabethan audience, piece of harmony providing Shakespeare with a valuable shorthand for character development. It is necessary to understand that medicinal drug in Shakespeares time functions as a complete renovation of sound, voice, and function. capital of Minnesota Brian emphasizes that whereas the music of the middle ages is predominately sacred, there is a great flourishing of ideas devote to blase topics, predominantly love, in the 15th through early s even soteenth centuries (1). From this c omment, we can understand that the demand for love music and poetry in Shakespeares time is indeed influential on As You Like Its musical content. In addition, Mason proffers that the chief glory of Elizabeths age was ... the development of its blasphemous vocal music, which reached a high degree of artistry. It did so, of course, because Elizabethans received perhaps even more enjoyment from notification together socially then they did from singing psalms together in church (3). In this development of secular music and emphasis on communal singing, the numerous musicians and singers who painfully make it Shakespeares cast of characters should be seen as symbols of musics booming popularity in the Elizabethan age. In scenes of As You Like It, we can see the influence of communal music on... ... As You Like It chooses a few individuals to symbolize the importance of music to an entire society, whether it is the merrymakers of the Forest of Ardenne or the inhabitants of Renaissa nce England. Works Cited Brian, Paul. Renaissance kip down Songs Study Guide. 6 June 1997. Online. http//www.wsu.edu/brians/love-in-the-arts/renaissance.html. 7 November 2002. Elson, Louis C. Shakespeare in Music. Boston LC summon & Company, 1900. Long, John H. Shakespeares Use of Music. Gainesville University of Florida Press, 1955. Mason, Dorothy E. Music in Elizabethan England. Ithaca Cornell University Press, 1958. Pattison, Bruce. Music and song of the English Renaissance. (2nd ed). London Methuen and Company, 1970. Seng, Peter J. The Vocal Songs in the Plays of Shakespeare A detailed History. Cambridge Harvard University Press, 1967.