The Genre of The Tempest Essay -- Papers

The Genre of The tempest The Tempest is customarily identified as the William Shakespe ares last piece. These marginal issues aside, The Tempest is the forth, utmost and finest of Shakespeares great and/or late romances. Along with Pericles, Cymbeline and The Winters Tale, The Tempest belongs t the musical style of Elizabethan romance plays. It combines elements of Tragedy (Prosperos revenge/Loss of a kinglike son) with those of romanticistic comedy (the young lover Ferdinand and Miranda) and, like one of Shakespeares job plays, Measure for measure, it poses deeper questions that are not completely resolved at the end. The romantic gesture is distinguished by the inclusion (and synthesis) of these tragic, comic, and problematic ingredients, and further marked by a happy ending(usually concluding in a masquerade party or dance) in which all, or most, of the characters are brought into harmony. The term romance is given up to the comedies written a t the end of Shakespeares career. Pericles, Cymbeline, The Winters Tale and the Tempest. They were written between 1608 and 1612 and are different in style to his earlier comedies. Whilst love and marriage are they key themes in these plays, they focus primarily on the separations and reunions of families and culminate in homecomings, reconciliations, rebirth and redemption. The romances are, characteristically, set in mythical worlds, and include elements from myths and fairy tales. For vitrine Long journey, Sea journeys, shipwrecks, storms, magic, lost or stolen children, a wicked/ flagitious family member. The romances were heavily influenced by court masques, lavish entertainment consisting of song , dance,... ...so be seen to embody regeneration and spiritual development, for through his magic he brings about(predicate) the repentance of Antonio and Alonso, and the marriage which is to achieve the regeneration. Through Prospero also, the dispara te styles are united. He is the symbolic figure in which the tragic events are rooted, for he is two victim of revenge tragedy and the hero who suffered from a fatal flaw. So too is he the instigator of the plays romance. With his magic wand we find he has caused the shipwreck of the first act, which initially seemed to be rooted in realism. The mixed bag of styles in both plays are, then, successfully combined. They work together to produce a unified whole separately and collectively combing to exert an energy which enhances and balances the moral depicted object of Shakespeares last plays.